Aesthetic as Science of Expression and General LinguisticNoonday Press, 1956 - 503 pagine Historical intellectualism has been the cause of the many researches which have been made, especially during the last two centuries, researches which continue to-day, for a philosophy of history, for an ideal history, for a sociology, for a historical psychology, or however may be otherwise entitled or described a science whose object is to extract from history, universal laws and concepts. Of what kind must be these laws, these universals? Historical laws and historical concepts? In that case, an elementary criticism of knowledge suffices to make clear the absurdity of the attempt. |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 15
... impressions ) , and the thesis which makes it to consist of a junction between form and content , that is , of impressions plus expressions . In the æsthetic fact , expressive activity is not added to the fact of the impressions , but ...
... impressions ) , and the thesis which makes it to consist of a junction between form and content , that is , of impressions plus expressions . In the æsthetic fact , expressive activity is not added to the fact of the impressions , but ...
Pagina 18
... impressions ) , but also tactual or thermic impressions , such as the " dense air " and the " fresh rivulets " which parch the more " the throat of the thirsty . The belief that a picture yields only visual impressions is a curious ...
... impressions ) , but also tactual or thermic impressions , such as the " dense air " and the " fresh rivulets " which parch the more " the throat of the thirsty . The belief that a picture yields only visual impressions is a curious ...
Pagina 19
... impressions are placed by it on a level , in so far as they are æstheticized . A man who absorbs the subject of a picture or poem does not have it before him as a series of impressions , some of which have prerogatives and precedence ...
... impressions are placed by it on a level , in so far as they are æstheticized . A man who absorbs the subject of a picture or poem does not have it before him as a series of impressions , some of which have prerogatives and precedence ...
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1978 |
Parole e frasi comuni
able abstract according action activity æsthetic already altogether appear arises artistic attempt beautiful become body called character clear colours complete concept confused consists Criticism definition determine distinction distinguished doctrine economic effect empirical error Esthetic example exist expression external fact faculty feeling genius give given hand human ideal ideas imagination imitation impossible impressions individual intellectual intuition Italy judgement kinds knowledge language laws less limits Linguistic literary logical looked material matter means merely moral nature never notes object observations origin particular perfect philosophy physical pleasure poet Poetics poetry possess possible practical present problem produced pure question reality reason recognize relation remain represent representation reproduction scientific sense side simple sometimes soul speak spirit taste theoretic theory things thought tion true truth ugly understood universal various writers