Leon Battista Alberti O Painting
Yale University Press, 1966 - 141 pagine
Alberti's Della Pittura was the first modern analytical study of painting, a pioneering treatise on the theory of art. A systematic description of the one-point perspective construction, it was primarily designed to persuade both patron and painter in the Renaissance to discard the old tastes in painting for the new. In his prologue, Alberti states that his work consists of three books: 'the first, all mathematics, concerning the roots in nature which are the source of this delightful and most noble art. The second book puts the art in the hand of the artist, distinguishing its parts and demonstrating all. The third introduces the artist to the means and the end, the ability and desire of acquiring perfect skill and knowledge in painting.'
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acquire advocates antique Apelles appear art of painting artist Aulus Gellius base line beauty beholder body Book braccia Brunelleschi called central ray centric line centric point certainly Cicero circumscription composition concept cross-section Della pittura demonstrated dignity diligence Diogenes Laertius distance Domenico Veneziano Donatello draw equidistant Euphranor face fame fifteenth century figures Florence Florentine geometry hand height humanist istoria Italian Italian version Latin Latin text Leon Battista Alberti light and shade Masaccio mathematics means Minerva move movements nature object observer outline painter panel parallel patron perhaps perspective construction Phidias philosophers Piero Piero della Francesca pittura Pliny Plutarch practice praise proportional quadrangle quantity seen Quattrocento Quintilian Re-edition reason reception of light refers right angles sculptors seems shadow similar soul space straight line theory thing seen translation transverse treatise triangle veil visual pyramid visual rays Vitruvius white and black wish Xenocrate XXXV xxxvi Zeuxis