The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
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... Dehumanization of Art and Notes on the Novel were first published in this country in 1948 by Princeton University Press . The other three essays were first pub- lished by Partisan Review in 1949 and 1952 . THE DEHUMANIZATION OF ART AND ...
... Dehumanization of Art and Notes on the Novel were first published in this country in 1948 by Princeton University Press . The other three essays were first pub- lished by Partisan Review in 1949 and 1952 . THE DEHUMANIZATION OF ART AND ...
Pagina 23
... dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist faithfully to follow reality , exhorts him to aban- don style . A Zurbarán enthusiast , groping for ...
... dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist faithfully to follow reality , exhorts him to aban- don style . A Zurbarán enthusiast , groping for ...
Pagina 33
... dehumanization one need not alter the inherent nature of things . It is enough to upset the value pattern and to produce an art in which the small events of life appear in the foreground with monumental dimensions . Here we have the ...
... dehumanization one need not alter the inherent nature of things . It is enough to upset the value pattern and to produce an art in which the small events of life appear in the foreground with monumental dimensions . Here we have the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth