The Dehumanization of Art, and Other Writings on Art and Culture |
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José Ortega y Gasset. CONTENTS The Dehumanization of Art 1 Notes on the Novel 51 On Point of View in the Arts 97 In Search of Goethe from Within 121 The Self and the Other 161 THE DEHUMANIZATION OF ART " Non creda donna Berta e.
José Ortega y Gasset. CONTENTS The Dehumanization of Art 1 Notes on the Novel 51 On Point of View in the Arts 97 In Search of Goethe from Within 121 The Self and the Other 161 THE DEHUMANIZATION OF ART " Non creda donna Berta e.
Pagina 23
But to stylize means to deform reality , to derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist faithfully to follow reality ...
But to stylize means to deform reality , to derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist faithfully to follow reality ...
Pagina 33
To satisfy the desire for dehumanization one need not alter the inherent nature of things . It is enough to upset the value pattern and to produce an art in which the small events of life appear in the foreground with monumental ...
To satisfy the desire for dehumanization one need not alter the inherent nature of things . It is enough to upset the value pattern and to produce an art in which the small events of life appear in the foreground with monumental ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow German gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason remains seems seen sense sensibility soul space speak stand style things thought tion traditional truth turn understand universe vision vital vocation young youth