The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
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... Dehumanization of Art and Notes on the Novel were first published in this country in 1948 by Princeton University Press . The other three essays were first pub- lished by Partisan Review in 1949 and 1952 . THE DEHUMANIZATION OF ART AND ...
... Dehumanization of Art and Notes on the Novel were first published in this country in 1948 by Princeton University Press . The other three essays were first pub- lished by Partisan Review in 1949 and 1952 . THE DEHUMANIZATION OF ART AND ...
Pagina 21
... dehumanization . In his escape from the human world the young artist cares less for the " terminus ad quem , " the startling fauna at which he arrives , than for the " terminus a quo , " the human aspect which he destroys . The question ...
... dehumanization . In his escape from the human world the young artist cares less for the " terminus ad quem , " the startling fauna at which he arrives , than for the " terminus a quo , " the human aspect which he destroys . The question ...
Pagina 23
... dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist faithfully to follow reality , exhorts him to aban- don style . A Zurbarán enthusiast , groping for ...
... dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist faithfully to follow reality , exhorts him to aban- don style . A Zurbarán enthusiast , groping for ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth