The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 11
... art , or artistic objects . Their enjoyment does not de- pend upon our power to focus on transparencies and images , a power characteristic of the artistic sensibility ; all ... art divides the public into two The Dehumanization of Art 11.
... art , or artistic objects . Their enjoyment does not de- pend upon our power to focus on transparencies and images , a power characteristic of the artistic sensibility ; all ... art divides the public into two The Dehumanization of Art 11.
Pagina 23
... art must consist of human stuff which the Muses comb and groom . Art cannot be reduced to cosmetics . Perception of " lived " reality and per- ception of artistic form , as I have said before , are essentially ... Dehumanization of Art 23.
... art must consist of human stuff which the Muses comb and groom . Art cannot be reduced to cosmetics . Perception of " lived " reality and per- ception of artistic form , as I have said before , are essentially ... Dehumanization of Art 23.
Pagina 45
José Ortega y Gasset. those of our young artists . Art has no right to exist if , content to reproduce reality , it uselessly dupli- cates it . Its mission is to conjure up ... artist himself regards his art as a The Dehumanization of Art 45.
José Ortega y Gasset. those of our young artists . Art has no right to exist if , content to reproduce reality , it uselessly dupli- cates it . Its mission is to conjure up ... artist himself regards his art as a The Dehumanization of Art 45.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth