The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 27
... art very similar to the feelings cultured people have always ex- perienced at Madame Tussaud's , while the mob has always been delighted by that gruesome waxen hoax . In passing we may here ask ourselves a ... Dehumanization of Art 27.
... art very similar to the feelings cultured people have always ex- perienced at Madame Tussaud's , while the mob has always been delighted by that gruesome waxen hoax . In passing we may here ask ourselves a ... Dehumanization of Art 27.
Pagina 38
... art we observe that artistic sensibility begins with seeking the living form and then drops it , as though ... art is clearly discernible . A thorough investigation of such eruptions of iconoclasm in religion and art would be of ...
... art we observe that artistic sensibility begins with seeking the living form and then drops it , as though ... art is clearly discernible . A thorough investigation of such eruptions of iconoclasm in religion and art would be of ...
Pagina 69
... art , the gold it is made of does not hallow a statue . A work of art lives on its form , not on its material ; the essen- tial grace it emanates springs from its structure , from its organism . The structure forms the properly artistic ...
... art , the gold it is made of does not hallow a statue . A work of art lives on its form , not on its material ; the essen- tial grace it emanates springs from its structure , from its organism . The structure forms the properly artistic ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth