The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 11
... art , or artistic objects . Their enjoyment does not de- pend upon our power to focus on transparencies and images , a power characteristic of the artistic sensibility ; all ... art divides the public into two The Dehumanization of Art 11.
... art , or artistic objects . Their enjoyment does not de- pend upon our power to focus on transparencies and images , a power characteristic of the artistic sensibility ; all ... art divides the public into two The Dehumanization of Art 11.
Pagina 23
... art must consist of human stuff which the Muses comb and groom . Art cannot be reduced to cosmetics . Perception of " lived " reality and per- ception of artistic form , as I have said before , are essentially ... Dehumanization of Art 23.
... art must consist of human stuff which the Muses comb and groom . Art cannot be reduced to cosmetics . Perception of " lived " reality and per- ception of artistic form , as I have said before , are essentially ... Dehumanization of Art 23.
Pagina 45
José Ortega y Gasset. those of our young artists . Art has no right to exist if , content to reproduce reality , it uselessly dupli- cates it . Its mission is to conjure up ... artist himself regards his art as a The Dehumanization of Art 45.
José Ortega y Gasset. those of our young artists . Art has no right to exist if , content to reproduce reality , it uselessly dupli- cates it . Its mission is to conjure up ... artist himself regards his art as a The Dehumanization of Art 45.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth