The Dehumanization of Art: And Other Writings on Art and Culture |
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Pagina 111
It is a Copernican revolution, comparable to that promoted by Descartes, Hume
and Kant in philosophic thought. The eye of the artist is established as the center
of the plastic Cosmos, around which revolve the forms of objects. Rigidly, the ...
It is a Copernican revolution, comparable to that promoted by Descartes, Hume
and Kant in philosophic thought. The eye of the artist is established as the center
of the plastic Cosmos, around which revolve the forms of objects. Rigidly, the ...
Pagina 173
... a rational animal— so that to be a man would be, as our inspired forefather,
Descartes, claimed, the same as to be a thinking thing, we should find ourselves
holding that man, by being endowed once and for all with thought, by possessing
it ...
... a rational animal— so that to be a man would be, as our inspired forefather,
Descartes, claimed, the same as to be a thinking thing, we should find ourselves
holding that man, by being endowed once and for all with thought, by possessing
it ...
Pagina 187
Let us return— I repeat— from myths to clear and distinct ideas, as, three
centuries ago, they were called, with programmatic solemnity, by the keenest
mind which the West has known: Rene Descartes, "that French cavalier who set
out at such ...
Let us return— I repeat— from myths to clear and distinct ideas, as, three
centuries ago, they were called, with programmatic solemnity, by the keenest
mind which the West has known: Rene Descartes, "that French cavalier who set
out at such ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama eric bentley essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest jacques barzun less light LIONEL trilling literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth Velasquez vital vocation W. H. AUDEN Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art: And Other Writings on Art and Culture Doubleday anchor book, A72 |
| Autore | José Ortega y Gasset |
| Editore | Doubleday a Company, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |