The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 3
Pagina 111
... Descartes , Hume and Kant in philo- sophic thought . The eye of the artist is established as the center of the plastic Cosmos , around which revolve the forms of objects . Rigidly , the ocular Point of View in the Arts 111 They are no ...
... Descartes , Hume and Kant in philo- sophic thought . The eye of the artist is established as the center of the plastic Cosmos , around which revolve the forms of objects . Rigidly , the ocular Point of View in the Arts 111 They are no ...
Pagina 118
... Descartes . What is cosmic reality for him ? Multiple and independent sub- stances disintegrate . In the foreground of meta- physics there is a single substance - an empty sub- stance - a kind of metaphysical hollow space that now takes ...
... Descartes . What is cosmic reality for him ? Multiple and independent sub- stances disintegrate . In the foreground of meta- physics there is a single substance - an empty sub- stance - a kind of metaphysical hollow space that now takes ...
Pagina 187
... Descartes , " that French cavalier who set out at such a good pace , " as Péguy put it . I know very well that Descartes and his rationalism are outdated , but man is nothing positive if he is not continuity . To excel the past we must ...
... Descartes , " that French cavalier who set out at such a good pace , " as Péguy put it . I know very well that Descartes and his rationalism are outdated , but man is nothing positive if he is not continuity . To excel the past we must ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth