The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 4
Pagina 57
... Don Quixote . Cervantes fills all our senses with the genuine presence of his personages . We listen to their true conversations , we see their actual movements Notes on the Novel 57.
... Don Quixote . Cervantes fills all our senses with the genuine presence of his personages . We listen to their true conversations , we see their actual movements Notes on the Novel 57.
Pagina 62
... Don Quixote and Sancho , not by what is happening to them . In principle , a Don Quixote as great as the original is conceivable in which the knight and his servant go through entirely different experi- ences . And the same holds for ...
... Don Quixote and Sancho , not by what is happening to them . In principle , a Don Quixote as great as the original is conceivable in which the knight and his servant go through entirely different experi- ences . And the same holds for ...
Pagina 87
... Don Quixote is not contained within the novel , we con- struct it from without when musing over our im- pressions of the book . Dostoevski's religious and political ideas are not operative agencies within the body of his work ; they ...
... Don Quixote is not contained within the novel , we con- struct it from without when musing over our im- pressions of the book . Dostoevski's religious and political ideas are not operative agencies within the body of his work ; they ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth