The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 4
Pagina 62
... Don Quixote and Sancho , not by what is happening to them . In principle , a Don Quixote as great as the original is conceivable in which the knight and his servant go through entirely different experi- ences . And the same holds for ...
... Don Quixote and Sancho , not by what is happening to them . In principle , a Don Quixote as great as the original is conceivable in which the knight and his servant go through entirely different experi- ences . And the same holds for ...
Pagina 82
... Don Quixote in contrast to the romances of chivalry . Indeed , were we to determine the conditions of the modern novel , we should only need to ascertain what a literary prose production must look like that makes a principle of ...
... Don Quixote in contrast to the romances of chivalry . Indeed , were we to determine the conditions of the modern novel , we should only need to ascertain what a literary prose production must look like that makes a principle of ...
Pagina 87
... Don Quixote is not contained within the novel , we con- struct it from without when musing over our im- pressions of the book . Dostoevski's religious and political ideas are not operative agencies within the body of his work ; they ...
... Don Quixote is not contained within the novel , we con- struct it from without when musing over our im- pressions of the book . Dostoevski's religious and political ideas are not operative agencies within the body of his work ; they ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth