The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 3
... El Espectador ( Madrid : Calpe , 1921 ) , vol . I , 25 . problem was strictly aesthetic , and yet it turned out UNPOPULARITY OF ...
... El Espectador ( Madrid : Calpe , 1921 ) , vol . I , 25 . problem was strictly aesthetic , and yet it turned out UNPOPULARITY OF ...
Pagina 136
... of December 24 , 1924 , in La Nación , of Buenos Aires , and later in Volume VII of El Espectador ( " El origen deportivo del Estado " ) ? Because the im- preconceptual discovery that life is not a reality which encounters 136.
... of December 24 , 1924 , in La Nación , of Buenos Aires , and later in Volume VII of El Espectador ( " El origen deportivo del Estado " ) ? Because the im- preconceptual discovery that life is not a reality which encounters 136.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth