The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 107
... El Greco , an in- termediate stage . How shall we define it ? In Tintoretto and El Greco two epochs meet . Hence the anxiety , the restlessness that marks the work of both . These are the last representatives of painting in bulk , and ...
... El Greco , an in- termediate stage . How shall we define it ? In Tintoretto and El Greco two epochs meet . Hence the anxiety , the restlessness that marks the work of both . These are the last representatives of painting in bulk , and ...
Pagina 108
... El Greco represents something of a regression . I believe that his modernity and his nearness to Velásquez has been exaggerated . El Greco is still chiefly preoccupied with volume . The proof is that he may be accounted the last great ...
... El Greco represents something of a regression . I believe that his modernity and his nearness to Velásquez has been exaggerated . El Greco is still chiefly preoccupied with volume . The proof is that he may be accounted the last great ...
Pagina 109
... El Greco another unifying element : chiaroscuro . X THE CHIAROSCURISTS Raphael's composition , El Greco's dynamic schema , are postulates of unity that the artist throws upon his canvas ; -but nothing more . Every object in the picture ...
... El Greco another unifying element : chiaroscuro . X THE CHIAROSCURISTS Raphael's composition , El Greco's dynamic schema , are postulates of unity that the artist throws upon his canvas ; -but nothing more . Every object in the picture ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth