The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 136
... German philosophy and I hope that no one will fail to credit me with having made it one of the principal features of my work to swell the thought of Spain with the full stream of German intellectual riches . But perhaps I have ...
... German philosophy and I hope that no one will fail to credit me with having made it one of the principal features of my work to swell the thought of Spain with the full stream of German intellectual riches . But perhaps I have ...
Pagina 146
... German literary his- tory ; who knows but that it prevented German literature from being the finest literature in the world ! Yes ! even if at first sight this appears to you to be an error , an intolerable paradox , and even if it ...
... German literary his- tory ; who knows but that it prevented German literature from being the finest literature in the world ! Yes ! even if at first sight this appears to you to be an error , an intolerable paradox , and even if it ...
Pagina 149
... German literature begins to appear in that sovereign soul , Weimar isolates him from Germany , tears his roots from German soil , and transplants him to the humus - less flowerpot of a Lilliputian court . A stay at Weimar - Weimar as a ...
... German literature begins to appear in that sovereign soul , Weimar isolates him from Germany , tears his roots from German soil , and transplants him to the humus - less flowerpot of a Lilliputian court . A stay at Weimar - Weimar as a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth