The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 128
... Goethe : their authors work on Goethe , but never question themselves about Goethe , never put Goethe in question , never work underneath Goethe . The frequency with which they use the words " genius , " " titan , " and other ...
... Goethe : their authors work on Goethe , but never question themselves about Goethe , never put Goethe in question , never work underneath Goethe . The frequency with which they use the words " genius , " " titan , " and other ...
Pagina 148
... Goethe of Strasburg , Wetzlar , Frankfurt still gives us reason to say : " Wie wahr , wie seiend ! ” Despite his youth and the fact that youth means " not yet to be . " But Goethe accepts the Grand Duke's invitation . At this point I ...
... Goethe of Strasburg , Wetzlar , Frankfurt still gives us reason to say : " Wie wahr , wie seiend ! ” Despite his youth and the fact that youth means " not yet to be . " But Goethe accepts the Grand Duke's invitation . At this point I ...
Pagina 154
... Goethe , before he was captured by the charm that Goethe exercised on his intimates , Schiller despaired of the Weimar courtier . Schiller is completely the opposite - infinitely less gifted than Goethe , but his sharp profile is the ...
... Goethe , before he was captured by the charm that Goethe exercised on his intimates , Schiller despaired of the Weimar courtier . Schiller is completely the opposite - infinitely less gifted than Goethe , but his sharp profile is the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth