The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 80
... Hence it appears that those elements which seem to disturb pure contemplation - interests , senti- ments , compulsions , affective preferences - are pre- cisely its indispensable instruments . Any human destiny that does not labor under ...
... Hence it appears that those elements which seem to disturb pure contemplation - interests , senti- ments , compulsions , affective preferences - are pre- cisely its indispensable instruments . Any human destiny that does not labor under ...
Pagina 127
... Hence I no longer be- lieve in any ideas except the ideas of shipwrecked men . We must call the classics before a court of shipwrecked men to answer certain peremptory questions with reference to real life . How would Goethe look before ...
... Hence I no longer be- lieve in any ideas except the ideas of shipwrecked men . We must call the classics before a court of shipwrecked men to answer certain peremptory questions with reference to real life . How would Goethe look before ...
Pagina 168
... Hence when things cease to threaten it or caress it ; when they give it a holiday ; in short , when the other ceases to move it and manage it , the poor animal has virtually to cease to exist , that is : it goes to sleep . Hence the ...
... Hence when things cease to threaten it or caress it ; when they give it a holiday ; in short , when the other ceases to move it and manage it , the poor animal has virtually to cease to exist , that is : it goes to sleep . Hence the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth