The Dehumanization of Art: And Other Writings on Art and Culture |
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Pagina 60
Hence the fresh taste of all impressionistic painting. We seem to see the objects
of the picture in a perpetual status nascendi. In the career of every thing there are
two moments of supreme drama: birth and death— status nascens and status ...
Hence the fresh taste of all impressionistic painting. We seem to see the objects
of the picture in a perpetual status nascendi. In the career of every thing there are
two moments of supreme drama: birth and death— status nascens and status ...
Pagina 80
interest had served as a perceptive organ with which to explore a small
neighborhood. Hence it appears that those elements which seem to disturb pure
contemplation— interests, sentiments, compulsions, affective preferences— are
precisely ...
interest had served as a perceptive organ with which to explore a small
neighborhood. Hence it appears that those elements which seem to disturb pure
contemplation— interests, sentiments, compulsions, affective preferences— are
precisely ...
Pagina 179
Hence it is that he must always be watchful of himself. This is something of what I
should like to suggest in the phrase (which appears to be but a phrase) that we
do not live in order to think but that we think in order to succeed in subsisting or ...
Hence it is that he must always be watchful of himself. This is something of what I
should like to suggest in the phrase (which appears to be but a phrase) that we
do not live in order to think but that we think in order to succeed in subsisting or ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama eric bentley essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest jacques barzun less light LIONEL trilling literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth Velasquez vital vocation W. H. AUDEN Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art: And Other Writings on Art and Culture Doubleday anchor book, A72 |
| Autore | José Ortega y Gasset |
| Editore | Doubleday a Company, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |