The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 60
Hence the fresh taste of all impressionistic painting . We seem to see the objects of the picture in a perpetual status nascendi . In the career of every thing there are two moments of supreme drama : birth and death - status nascens ...
Hence the fresh taste of all impressionistic painting . We seem to see the objects of the picture in a perpetual status nascendi . In the career of every thing there are two moments of supreme drama : birth and death - status nascens ...
Pagina 80
Hence it appears that those elements which seem to disturb pure contemplation - interests , sentiments , compulsions , affective preferences - are precisely its indispensable instruments . Any human destiny that does not labor under an ...
Hence it appears that those elements which seem to disturb pure contemplation - interests , sentiments , compulsions , affective preferences - are precisely its indispensable instruments . Any human destiny that does not labor under an ...
Pagina 157
Goethe becomes vegetable . The vegetable is the organic being which does not struggle with its surroundings . Hence it cannot live except in a favorable environment , sustained and . coddled by its environment .
Goethe becomes vegetable . The vegetable is the organic being which does not struggle with its surroundings . Hence it cannot live except in a favorable environment , sustained and . coddled by its environment .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow German gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason remains seems seen sense sensibility soul space speak stand style things thought tion traditional truth turn understand universe vision vital vocation young youth