The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 60
... Hence the fresh taste of all impressionistic paint- ing . We seem to see the objects of the picture in a perpetual status nascendi . In the career of every thing there are two moments of supreme drama : birth and death - status nascens ...
... Hence the fresh taste of all impressionistic paint- ing . We seem to see the objects of the picture in a perpetual status nascendi . In the career of every thing there are two moments of supreme drama : birth and death - status nascens ...
Pagina 80
... Hence it appears that those elements which seem to disturb pure contemplation - interests , senti- ments , compulsions , affective preferences - are pre- cisely its indispensable instruments . Any human destiny that does not labor under ...
... Hence it appears that those elements which seem to disturb pure contemplation - interests , senti- ments , compulsions , affective preferences - are pre- cisely its indispensable instruments . Any human destiny that does not labor under ...
Pagina 157
... organic being which does not struggle with its surroundings . Hence it cannot live except in a favorable environment , sustained and coddled by its environment . Weimar was the silken cocoon In Search of Goethe from Within 157.
... organic being which does not struggle with its surroundings . Hence it cannot live except in a favorable environment , sustained and coddled by its environment . Weimar was the silken cocoon In Search of Goethe from Within 157.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth