The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 142
... still asking himself , as he wan- ders through Italy , whether he is poet , painter , or scientist , and writing from Rome on March 14 , 1788 : " For the first time I have found myself and am happily in harmony with myself .
... still asking himself , as he wan- ders through Italy , whether he is poet , painter , or scientist , and writing from Rome on March 14 , 1788 : " For the first time I have found myself and am happily in harmony with myself .
Pagina 149
The Sturm of feeling and imagination , two things which other European literatures lack ; the measure which - in different forms - France and Italy possess in abun- dance .
The Sturm of feeling and imagination , two things which other European literatures lack ; the measure which - in different forms - France and Italy possess in abun- dance .
Pagina 152
In either case , we are dealing with a man who refuses to live his destiny . If all that a man does is mere 9. See the Journey to Italy , Rome , April , 1788 . symbol , what is the definite reality which is sym- 152.
In either case , we are dealing with a man who refuses to live his destiny . If all that a man does is mere 9. See the Journey to Italy , Rome , April , 1788 . symbol , what is the definite reality which is sym- 152.
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth