The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 10
Pagina 4
... Romanticism , al- though a frequently cited example , is , as a sociolog- ical phenomenon , exactly the opposite of the pres- ent situation of art . Romanticism was very quick in winning " the people " to whom the old classical art had ...
... Romanticism , al- though a frequently cited example , is , as a sociolog- ical phenomenon , exactly the opposite of the pres- ent situation of art . Romanticism was very quick in winning " the people " to whom the old classical art had ...
Pagina 4
... Romanticism , al- though a frequently cited example , is , as a sociolog- ical phenomenon , exactly the opposite of the pres- ent situation of art . Romanticism was very quick in winning " the people " to whom the old classical art had ...
... Romanticism , al- though a frequently cited example , is , as a sociolog- ical phenomenon , exactly the opposite of the pres- ent situation of art . Romanticism was very quick in winning " the people " to whom the old classical art had ...
Pagina 25
... Romanticism hunts with a decoy , it tampers with the bird's fervor in order to riddle him with the pellets of sounds . Art must not pro- ceed by psychic contagion , for psychic contagion is an unconscious phenomenon , and art ought to ...
... Romanticism hunts with a decoy , it tampers with the bird's fervor in order to riddle him with the pellets of sounds . Art must not pro- ceed by psychic contagion , for psychic contagion is an unconscious phenomenon , and art ought to ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth