The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 58
... Stendhal's greatness derives from the same cause . NO DEFINITIONS We want to see the life of the figures in a novel , not to be told it . Any reference , allusion , narration only emphasizes the absence of what it alludes to . Things ...
... Stendhal's greatness derives from the same cause . NO DEFINITIONS We want to see the life of the figures in a novel , not to be told it . Any reference , allusion , narration only emphasizes the absence of what it alludes to . Things ...
Pagina 73
... Stendhal . Le rouge et le noir , a biographical novel which relates a few years of a man's life , is composed in the form of three or four pictures , each proceeding within its bounds like an entire novel of the Russian master . In the ...
... Stendhal . Le rouge et le noir , a biographical novel which relates a few years of a man's life , is composed in the form of three or four pictures , each proceeding within its bounds like an entire novel of the Russian master . In the ...
Pagina 89
... overdoing the prolixity and minuteness , has helped us to recognize that great novels are essentially lavish of particulars . Indeed , the books . י of Cervantes , Stendhal , Dickens , Dostoevski are of Notes on the Novel 89.
... overdoing the prolixity and minuteness , has helped us to recognize that great novels are essentially lavish of particulars . Indeed , the books . י of Cervantes , Stendhal , Dickens , Dostoevski are of Notes on the Novel 89.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth