The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 106
... Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is , in a certain sense , the sum of many small pictures , each one independent and each painted from the proximate view . The painter has ...
... Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is , in a certain sense , the sum of many small pictures , each one independent and each painted from the proximate view . The painter has ...
Pagina 108
... Velásquez has been exaggerated . El Greco is still chiefly preoccupied with volume . The proof is that he may be accounted the last great foreshortener . He does not seek empty space ; in him there re- mains the intention to capture the ...
... Velásquez has been exaggerated . El Greco is still chiefly preoccupied with volume . The proof is that he may be accounted the last great foreshortener . He does not seek empty space ; in him there re- mains the intention to capture the ...
Pagina 111
... Velásquez . The primitive , enamoured of objective shapes , seeks them arduously with his tactile gaze , touches them , embraces them . The chiaroscurist , already less taken with corporeality , lets his ray of vision travel , as along ...
... Velásquez . The primitive , enamoured of objective shapes , seeks them arduously with his tactile gaze , touches them , embraces them . The chiaroscurist , already less taken with corporeality , lets his ray of vision travel , as along ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth