The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 38
... abstract signs , the last residues of cosmic or animal forms . The serpent is stylized into the meander , the sun into the swastica . At times , this disgust at living forms flares up and produces pub- lic conflicts . The revolt against ...
... abstract signs , the last residues of cosmic or animal forms . The serpent is stylized into the meander , the sun into the swastica . At times , this disgust at living forms flares up and produces pub- lic conflicts . The revolt against ...
Pagina 100
... abstract idea is ubiqui- tous . The isosceles triangle presents the same as- pect on Earth as on Sirius . On the other hand , a sensuous image bears the indelible mark of its local- ization , that is , the image presents something seen ...
... abstract idea is ubiqui- tous . The isosceles triangle presents the same as- pect on Earth as on Sirius . On the other hand , a sensuous image bears the indelible mark of its local- ization , that is , the image presents something seen ...
Pagina 107
... abstract element that affords it a certain unity ; this is composition , or architecture . He continues to paint one object after another , like a primitive ; his visual apparatus func- tions on the same principle . But instead of ...
... abstract element that affords it a certain unity ; this is composition , or architecture . He continues to paint one object after another , like a primitive ; his visual apparatus func- tions on the same principle . But instead of ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth