The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 74
... action and plot may play a minor part in a modern novel , but that they cannot be entirely dispensed with . They fulfill the same function - a mechanical func- tion , it is ... actions . Compared with a concrete action , which moves 74.
... action and plot may play a minor part in a modern novel , but that they cannot be entirely dispensed with . They fulfill the same function - a mechanical func- tion , it is ... actions . Compared with a concrete action , which moves 74.
Pagina 75
José Ortega y Gasset. actions . Compared with a concrete action , which moves as fast as possible toward a conclusion , at- mosphere signifies something diffuse and at rest . Action carries us away in its dramatic course ; at ...
José Ortega y Gasset. actions . Compared with a concrete action , which moves as fast as possible toward a conclusion , at- mosphere signifies something diffuse and at rest . Action carries us away in its dramatic course ; at ...
Pagina 179
... action is not a random fisticuffs with the things around us or with our fellow men : that is the infrahuman , that is subjection to the other . Action is to act upon the material environment or upon other men in accordance with a ...
... action is not a random fisticuffs with the things around us or with our fellow men : that is the infrahuman , that is subjection to the other . Action is to act upon the material environment or upon other men in accordance with a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth