The Dehumanization of Art: And Other Writings on Art and Culture |
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Pagina 74
So slowly does the action move that it seems more like a sequence of ecstatic
stillnesses without progress or tension. Reading this "remembrance of things past
" we feel convinced that the permissible measure of slowness is overstepped.
So slowly does the action move that it seems more like a sequence of ecstatic
stillnesses without progress or tension. Reading this "remembrance of things past
" we feel convinced that the permissible measure of slowness is overstepped.
Pagina 75
actions. Compared with a concrete action, which moves as fast as possible
toward a conclusion, atmosphere signifies something diffuse and at rest. Action
carries us away in its dramatic course; atmosphere invites to contemplation. In
painting ...
actions. Compared with a concrete action, which moves as fast as possible
toward a conclusion, atmosphere signifies something diffuse and at rest. Action
carries us away in its dramatic course; atmosphere invites to contemplation. In
painting ...
Pagina 179
We saw that action is not a random fisticuffs with the things around us or with our
fellow men: that is the infrahuman, that is subjection to the other. Action is to act
upon the material environment or upon other men in accordance with a plan ...
We saw that action is not a random fisticuffs with the things around us or with our
fellow men: that is the infrahuman, that is subjection to the other. Action is to act
upon the material environment or upon other men in accordance with a plan ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama eric bentley essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest jacques barzun less light LIONEL trilling literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth Velasquez vital vocation W. H. AUDEN Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art: And Other Writings on Art and Culture Doubleday anchor book, A72 |
| Autore | José Ortega y Gasset |
| Editore | Doubleday a Company, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |