The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 58
José Ortega y Gasset. to their true conversations , we see their actual movements . Stendhal's greatness derives from the same cause . NO DEFINITIONS We want to see the life of the figures in a novel , not to be told it . Any reference ...
José Ortega y Gasset. to their true conversations , we see their actual movements . Stendhal's greatness derives from the same cause . NO DEFINITIONS We want to see the life of the figures in a novel , not to be told it . Any reference ...
Pagina 95
... actual social types and environments can provide an additional piquancy , but it is not essen- tial . ( One of the points I am leaving untouched is that the novel lends itself more easily than any other literary form to absorbing ...
... actual social types and environments can provide an additional piquancy , but it is not essen- tial . ( One of the points I am leaving untouched is that the novel lends itself more easily than any other literary form to absorbing ...
Pagina 140
... actual life that of a law - abiding citizen . It is a terrible thing , but there is no denying it : the man who had to be a thief and , by a virtuous effort of will succeeds in not being one , falsifies his life . So let there be no ...
... actual life that of a law - abiding citizen . It is a terrible thing , but there is no denying it : the man who had to be a thief and , by a virtuous effort of will succeeds in not being one , falsifies his life . So let there be no ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth