The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 57
... adventures as we are to hear what has happened to a person we love . But soon adventures by themselves lose attraction , and what then pleases is not so much the fortunes of the personages as their self - presence . We enjoy seeing ...
... adventures as we are to hear what has happened to a person we love . But soon adventures by themselves lose attraction , and what then pleases is not so much the fortunes of the personages as their self - presence . We enjoy seeing ...
Pagina 60
... adventure as such - perhaps , as we were saying , because the child sees in palpable presence what our ... adventures capable of stirring the superior portion of our sensibility . Action thus becomes a mere pretext - the ...
... adventure as such - perhaps , as we were saying , because the child sees in palpable presence what our ... adventures capable of stirring the superior portion of our sensibility . Action thus becomes a mere pretext - the ...
Pagina 64
... adventures he rather avoids ; the events of outer life serve only to present certain inner problems . The author and ... adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral ...
... adventures he rather avoids ; the events of outer life serve only to present certain inner problems . The author and ... adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth