The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 57
... adventures as we are to hear what has happened to a person we love . But soon adventures by themselves lose attraction , and what then pleases is not so much the fortunes of the personages as their self - presence . We enjoy seeing ...
... adventures as we are to hear what has happened to a person we love . But soon adventures by themselves lose attraction , and what then pleases is not so much the fortunes of the personages as their self - presence . We enjoy seeing ...
Pagina 64
... adventures he rather avoids ; the events of outer life serve only to present certain inner problems . The author and ... adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral , an ...
... adventures he rather avoids ; the events of outer life serve only to present certain inner problems . The author and ... adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral , an ...
Pagina 82
... adventure stories in the manner of Poe , Wells , etc. ) ; here life is precisely daily life . It is in reporting the ... adventures can the novelist expect to captivate us . The opposite procedure is required : the reader's horizon must ...
... adventure stories in the manner of Poe , Wells , etc. ) ; here life is precisely daily life . It is in reporting the ... adventures can the novelist expect to captivate us . The opposite procedure is required : the reader's horizon must ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth