The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 3
... aesthetic essence that it does not quite appear how , starting from them , we can ever hope to penetrate into the inner frame of styles . Guyau doubtless failed to make the best of his ingenious idea . His short life and tragic rushing ...
... aesthetic essence that it does not quite appear how , starting from them , we can ever hope to penetrate into the inner frame of styles . Guyau doubtless failed to make the best of his ingenious idea . His short life and tragic rushing ...
Pagina 4
... aesthetic values as his contemporary colleagues - the poet , the painter , the playwright - in theirs . And this identity of artis- tic purpose necessarily produces identical sociolog- ical consequences . In fact , the unpopularity of ...
... aesthetic values as his contemporary colleagues - the poet , the painter , the playwright - in theirs . And this identity of artis- tic purpose necessarily produces identical sociolog- ical consequences . In fact , the unpopularity of ...
Pagina 22
... aesthetic body . With this material the aesthetic process works , and its working consists in endowing the human nucleus with glamour and dignity . To the majority of people this is the most natural and the only possible setup of a work ...
... aesthetic body . With this material the aesthetic process works , and its working consists in endowing the human nucleus with glamour and dignity . To the majority of people this is the most natural and the only possible setup of a work ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth