The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 31
... animal that was most fre- quent in the region and on which people depended for food acquired the prestige of something sacred . › Such a sanctification implied the idea that a person must not touch that animal with his hands . What then ...
... animal that was most fre- quent in the region and on which people depended for food acquired the prestige of something sacred . › Such a sanctification implied the idea that a person must not touch that animal with his hands . What then ...
Pagina 38
... animal forms . The serpent is stylized into the meander , the sun into the swastica . At times , this disgust at ... animals - an attitude opposite to the instinct of those people who decorated the cave of Altamira - doubtless originate ...
... animal forms . The serpent is stylized into the meander , the sun into the swastica . At times , this disgust at ... animals - an attitude opposite to the instinct of those people who decorated the cave of Altamira - doubtless originate ...
Pagina 172
... animal life . Because now man , our primigenial man , goes back and again submerges himself in the things of the world , but resisting them , not delivering himself wholly over to them . He has a plan against them , a project for ...
... animal life . Because now man , our primigenial man , goes back and again submerges himself in the things of the world , but resisting them , not delivering himself wholly over to them . He has a plan against them , a project for ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth