The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 31
The animal that was most frequent in the region and on which people depended
for food acquired the prestige of something sacred . Such a sanctification implied
the idea that a person must not touch that animal with his hands . What then ...
The animal that was most frequent in the region and on which people depended
for food acquired the prestige of something sacred . Such a sanctification implied
the idea that a person must not touch that animal with his hands . What then ...
Pagina 38
Even in the evolution of prehistoric art we observe that artistic sensibility begins
with seeking the living form and then drops it , as though affrighted and
nauseated , and resorts to abstract signs , the last residues of cosmic or animal
forms .
Even in the evolution of prehistoric art we observe that artistic sensibility begins
with seeking the living form and then drops it , as though affrighted and
nauseated , and resorts to abstract signs , the last residues of cosmic or animal
forms .
Pagina 172
But even though momentary and crude , this primitive stand within the self tends
basically to separate human life from animal life . Because now man , our
primigenial man , goes back and again submerges himself in the things of the
world ...
But even though momentary and crude , this primitive stand within the self tends
basically to separate human life from animal life . Because now man , our
primigenial man , goes back and again submerges himself in the things of the
world ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |