The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 31
... animal that was most fre- quent in the region and on which people depended for food acquired the prestige of something sacred . Such a sanctification implied the idea that a person must not touch that animal with his hands . What then ...
... animal that was most fre- quent in the region and on which people depended for food acquired the prestige of something sacred . Such a sanctification implied the idea that a person must not touch that animal with his hands . What then ...
Pagina 38
... animal forms . The serpent is stylized into the meander , the sun into the swastica . At times , this disgust at ... animals - an attitude opposite to the instinct of those people who decorated the cave of Altamira - doubtless ...
... animal forms . The serpent is stylized into the meander , the sun into the swastica . At times , this disgust at ... animals - an attitude opposite to the instinct of those people who decorated the cave of Altamira - doubtless ...
Pagina 168
... animal has always to be atten- tive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue to be governed by them , by ...
... animal has always to be atten- tive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue to be governed by them , by ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth