The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 3
... appear unprofitable . Approach- ing art from the side of its social effects looks very much like putting the cart before the horse , or studying a man by his shadow . The social effects of art seem such an accidental thing , so remote ...
... appear unprofitable . Approach- ing art from the side of its social effects looks very much like putting the cart before the horse , or studying a man by his shadow . The social effects of art seem such an accidental thing , so remote ...
Pagina 17
... appears , for instance , in a Baroque ornament , or on a still life of Cézanne's , or in the eternal metaphor of ... appear later , let us mention that among the realities which constitute the world are our ideas . We use our ideas ...
... appears , for instance , in a Baroque ornament , or on a still life of Cézanne's , or in the eternal metaphor of ... appear later , let us mention that among the realities which constitute the world are our ideas . We use our ideas ...
Pagina 55
... appear frankly evident . This , I believe , is now happening to the novel . It has become practically impossible to find new subjects . Here we come upon the first cause of the enormous difficulty , an objective not a personal ...
... appear frankly evident . This , I believe , is now happening to the novel . It has become practically impossible to find new subjects . Here we come upon the first cause of the enormous difficulty , an objective not a personal ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth