The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 3
... appear unprofitable . Approach- ing art from the side of its social effects looks very much like putting the cart before the horse , or studying a man by his shadow . The social effects of art seem such an accidental thing , so remote ...
... appear unprofitable . Approach- ing art from the side of its social effects looks very much like putting the cart before the horse , or studying a man by his shadow . The social effects of art seem such an accidental thing , so remote ...
Pagina 17
... appears , for instance , in a Baroque ornament , or on a still life of Cézanne's , or in the eternal metaphor of a ... appear later , let us mention that among the realities which constitute the world are our ideas . We use our ideas ...
... appears , for instance , in a Baroque ornament , or on a still life of Cézanne's , or in the eternal metaphor of a ... appear later , let us mention that among the realities which constitute the world are our ideas . We use our ideas ...
Pagina 55
... appear frankly evident . This , I believe , is now happening to the novel . It has become practically impossible to find new subjects . Here we come upon the first cause of the enormous difficulty , an objective not a personal ...
... appear frankly evident . This , I believe , is now happening to the novel . It has become practically impossible to find new subjects . Here we come upon the first cause of the enormous difficulty , an objective not a personal ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth