The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 20
... artist is seen going against it . He is brazenly set on deforming reality , shattering its human aspect , dehumanizing it . With the things represented on traditional paintings we could have imaginary intercourse . Many a young ...
... artist is seen going against it . He is brazenly set on deforming reality , shattering its human aspect , dehumanizing it . With the things represented on traditional paintings we could have imaginary intercourse . Many a young ...
Pagina 45
... artist repudi - I ates reality and by this act places himself above it . ! Being an artist means ceasing to take seriously that very serious person we are when we are not an artist . This inevitable dash of irony , it is true , imparts ...
... artist repudi - I ates reality and by this act places himself above it . ! Being an artist means ceasing to take seriously that very serious person we are when we are not an artist . This inevitable dash of irony , it is true , imparts ...
Pagina 46
José Ortega y Gasset. but that the artist himself regards his art as a thing of no consequence . But then again this does not accurately describe the situation . I do not mean to say that the artist makes light of his work and his ...
José Ortega y Gasset. but that the artist himself regards his art as a thing of no consequence . But then again this does not accurately describe the situation . I do not mean to say that the artist makes light of his work and his ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth