The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 33
... attention , that which ordinarily escapes notice , perform the main part in life's drama . Giraudoux , Morand , etc. , employ ( in their several ways ) the same aesthetic equipment . That explains Giraudoux's and Morand's en- thusiasm ...
... attention , that which ordinarily escapes notice , perform the main part in life's drama . Giraudoux , Morand , etc. , employ ( in their several ways ) the same aesthetic equipment . That explains Giraudoux's and Morand's en- thusiasm ...
Pagina 77
... attention . Attention is a preference subjectively be- stowed upon some things at the cost of others . I cannot focus on the first without losing sight of the second . Attention is like a ray of light which illumi- nates a zone of ...
... attention . Attention is a preference subjectively be- stowed upon some things at the cost of others . I cannot focus on the first without losing sight of the second . Attention is like a ray of light which illumi- nates a zone of ...
Pagina 78
... attention is seen well . Attention is a psychological a priori that operates by means of affective preferences , i.e. , interests . Modern psychology has found itself compelled paradoxically to reverse the traditional order of mental ...
... attention is seen well . Attention is a psychological a priori that operates by means of affective preferences , i.e. , interests . Modern psychology has found itself compelled paradoxically to reverse the traditional order of mental ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth