The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 33
The procedure simply consists in letting the outskirts of attention , that which ordinarily escapes notice , perform the main part in life's drama .
The procedure simply consists in letting the outskirts of attention , that which ordinarily escapes notice , perform the main part in life's drama .
Pagina 77
It is a humble and hackneyed truth that in order to see one must look and in order to look one must pay attention . Attention is a preference subjectively be- stowed upon some things at the cost of others . I cannot focus on the first ...
It is a humble and hackneyed truth that in order to see one must look and in order to look one must pay attention . Attention is a preference subjectively be- stowed upon some things at the cost of others . I cannot focus on the first ...
Pagina 78
that attention is given to what is seen but , on the contrary , only what attracts attention is seen well . Attention is a psychological a priori that operates by means of affective preferences , i.e. , interests .
that attention is given to what is seen but , on the contrary , only what attracts attention is seen well . Attention is a psychological a priori that operates by means of affective preferences , i.e. , interests .
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth