The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 14
... authentic one ? The answer , no matter how we decide , cannot but be arbitrary . Any preference can be founded on caprice only . All these realities are equivalent , each being authentic for its cor- responding point of view . All we ...
... authentic one ? The answer , no matter how we decide , cannot but be arbitrary . Any preference can be founded on caprice only . All these realities are equivalent , each being authentic for its cor- responding point of view . All we ...
Pagina 146
... authentic vocation . But what was his authentic vocation ? I am not going to abuse your patience by de- veloping the theory of vocation for you - it implies a whole philosophy . I should only like to call to your attention the fact that ...
... authentic vocation . But what was his authentic vocation ? I am not going to abuse your patience by de- veloping the theory of vocation for you - it implies a whole philosophy . I should only like to call to your attention the fact that ...
Pagina 153
... authentic task con- sist ? If what he has to do , his task , is neither pots nor pans , it must be something else . What ? What is true life , according to Goethe ? Obviously some- thing that will be to any concrete life what the ...
... authentic task con- sist ? If what he has to do , his task , is neither pots nor pans , it must be something else . What ? What is true life , according to Goethe ? Obviously some- thing that will be to any concrete life what the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth