The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 14
And we cannot help asking ourselves : Which of all these realities must then be regarded as the real and authentic one ? The answer , no matter how we decide , cannot but be arbitrary . Any preference can be founded on caprice only .
And we cannot help asking ourselves : Which of all these realities must then be regarded as the real and authentic one ? The answer , no matter how we decide , cannot but be arbitrary . Any preference can be founded on caprice only .
Pagina 153
symbol , what is the definite reality which is sym- bolized in it , in what does his authentic task con- sist ? If what he has to do , his task , is neither pots nor pans , it must be something else . What ?
symbol , what is the definite reality which is sym- bolized in it , in what does his authentic task con- sist ? If what he has to do , his task , is neither pots nor pans , it must be something else . What ?
Pagina 179
There is then , no authentic action if there is no thought , and there is no authentic thought if it is not duly referred to action and made virile by its relation to action . But this relation - which The Self and the Other 179.
There is then , no authentic action if there is no thought , and there is no authentic thought if it is not duly referred to action and made virile by its relation to action . But this relation - which The Self and the Other 179.
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |