The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 55
... become practically impossible to find new subjects . Here we come upon the first cause of the enormous difficulty ... becomes subtler and more fastidious . Works that yesterday would still have passed , today are deemed insipid ...
... become practically impossible to find new subjects . Here we come upon the first cause of the enormous difficulty ... becomes subtler and more fastidious . Works that yesterday would still have passed , today are deemed insipid ...
Pagina 103
... becomes pure vision . In the same way , things , as they recede , cease to be filled volumes , hard and compact , and become mere chromatic entities , without resistance , mass or con- vexity . An age - old habit , founded in vital ...
... becomes pure vision . In the same way , things , as they recede , cease to be filled volumes , hard and compact , and become mere chromatic entities , without resistance , mass or con- vexity . An age - old habit , founded in vital ...
Pagina 175
... Become what you are . " The condition of man , then , is essential uncer- tainty . Hence the cogency of the gracefully man- nered mot of a fifteenth century Burgundian gen- tleman : " Rien ne m'es sure que la chose incertaine . ” " I am ...
... Become what you are . " The condition of man , then , is essential uncer- tainty . Hence the cogency of the gracefully man- nered mot of a fifteenth century Burgundian gen- tleman : " Rien ne m'es sure que la chose incertaine . ” " I am ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth