The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 55
... become practically impossible to find new subjects . Here we come upon the first cause of the enormous difficulty ... becomes subtler and more fastidious . Works that yesterday would still have passed , today are deemed insipid . Not ...
... become practically impossible to find new subjects . Here we come upon the first cause of the enormous difficulty ... becomes subtler and more fastidious . Works that yesterday would still have passed , today are deemed insipid . Not ...
Pagina 129
... becomes the more obvious the greater the number of anecdotes and details the biographer furnishes us , because the ... become aware of the in- credible manner in which philosophy has always gone astray by giving the name of " I " to ...
... becomes the more obvious the greater the number of anecdotes and details the biographer furnishes us , because the ... become aware of the in- credible manner in which philosophy has always gone astray by giving the name of " I " to ...
Pagina 138
... become , " although perhaps he never suc- ceeds in becoming anything . Can this be expressed by one word better than it is expressed by the word " entelechy " ? But the ancient vocable carries with it a millennial biological tradition ...
... become , " although perhaps he never suc- ceeds in becoming anything . Can this be expressed by one word better than it is expressed by the word " entelechy " ? But the ancient vocable carries with it a millennial biological tradition ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth