The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 55
It has become practically impossible to find new subjects . Here we come upon the first cause of ... As the store of possible subjects is more and more depleted the sensibility of the reading public becomes subtler and more fastidious .
It has become practically impossible to find new subjects . Here we come upon the first cause of ... As the store of possible subjects is more and more depleted the sensibility of the reading public becomes subtler and more fastidious .
Pagina 129
This monumentalism becomes the more obvious the greater the number of anecdotes and details the biographer ... Who is that I of whom I perpetually talk in my daily life - you will become aware of the in- credible manner in which ...
This monumentalism becomes the more obvious the greater the number of anecdotes and details the biographer ... Who is that I of whom I perpetually talk in my daily life - you will become aware of the in- credible manner in which ...
Pagina 138
Each one of us is “ he whom he has to become , " although perhaps he never suc- ceeds in becoming anything . Can this be expressed by one word better than it is expressed by the word " entelechy " ? But the ancient vocable carries with ...
Each one of us is “ he whom he has to become , " although perhaps he never suc- ceeds in becoming anything . Can this be expressed by one word better than it is expressed by the word " entelechy " ? But the ancient vocable carries with ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth