The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 47
... begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill youthfulness into an ancient world . Other styles must be interpreted in con- nection with dramatic social or political movements , or ...
... begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill youthfulness into an ancient world . Other styles must be interpreted in con- nection with dramatic social or political movements , or ...
Pagina 110
... begins to be disregarded and have no other role than to serve as support and background for the light playing upon it . One studies the trajectory of light , emphasizing the fluidity of its passage over the face of volumes , over ...
... begins to be disregarded and have no other role than to serve as support and background for the light playing upon it . One studies the trajectory of light , emphasizing the fluidity of its passage over the face of volumes , over ...
Pagina 150
... begins to live in a direction contrary to his destiny , he begins a process of de - vivification . Measure becomes ex- cessive and supplants the substance of his destiny . Goethe is a fire which needs a great deal of wood . In Weimar ...
... begins to live in a direction contrary to his destiny , he begins a process of de - vivification . Measure becomes ex- cessive and supplants the substance of his destiny . Goethe is a fire which needs a great deal of wood . In Weimar ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth