The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 110
... begins to be disregarded and have no other role than to serve as support and background for the light playing upon it . One studies the trajectory of light , emphasizing the fluidity of its passage over the face of volumes , over ...
... begins to be disregarded and have no other role than to serve as support and background for the light playing upon it . One studies the trajectory of light , emphasizing the fluidity of its passage over the face of volumes , over ...
Pagina 150
... begins to live in a direction contrary to his destiny , he begins a process of de - vivification . Measure becomes ex- cessive and supplants the substance of his destiny . Goethe is a fire which needs a great deal of wood . In Weimar ...
... begins to live in a direction contrary to his destiny , he begins a process of de - vivification . Measure becomes ex- cessive and supplants the substance of his destiny . Goethe is a fire which needs a great deal of wood . In Weimar ...
Pagina 157
... begin , the struggle with the rest of mankind begins . The asperity , the bitterness , the hostility of our mundane environment appear . This first attack either forever annihilates our heroic resolve to be what we secretly are and ...
... begin , the struggle with the rest of mankind begins . The asperity , the bitterness , the hostility of our mundane environment appear . This first attack either forever annihilates our heroic resolve to be what we secretly are and ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth