The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 59
... believe , applies to the novel . In its beginnings the plot may have seemed to form its most important part . Later it appeared that what really matters is not the story which is told but that the story , whatever it might be , should ...
... believe , applies to the novel . In its beginnings the plot may have seemed to form its most important part . Later it appeared that what really matters is not the story which is told but that the story , whatever it might be , should ...
Pagina 76
... believe that action , as it is a merely mechanical element and aesthet- ically dead weight , ought to be reduced to a mini- mum . But at the same time , and with a view to Proust , I should consider this minimum indispen- sable . The ...
... believe that action , as it is a merely mechanical element and aesthet- ically dead weight , ought to be reduced to a mini- mum . But at the same time , and with a view to Proust , I should consider this minimum indispen- sable . The ...
Pagina 146
... believe me , I have plenty of reasons for being guilty of it ! But then Goethe flees from Weimar , which was already itself a flight , and this time his flight even has the material , police - blotter tokens of a flight : he flees from ...
... believe me , I have plenty of reasons for being guilty of it ! But then Goethe flees from Weimar , which was already itself a flight , and this time his flight even has the material , police - blotter tokens of a flight : he flees from ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth