The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 47
... body is an in- fallible symptom of a leaning toward youth , for only the young body is lithe and beautiful . Whereas cult of the mind betrays the resolve to accept old age , for the mind reaches plenitude only when the body begins to ...
... body is an in- fallible symptom of a leaning toward youth , for only the young body is lithe and beautiful . Whereas cult of the mind betrays the resolve to accept old age , for the mind reaches plenitude only when the body begins to ...
Pagina 110
... body . Now , the visual ray halts at the point where the body begins and light strikes resplendently ; from there it seeks another point on another object where the same intensity of illumination is vibrat- ing . The painter has ...
... body . Now , the visual ray halts at the point where the body begins and light strikes resplendently ; from there it seeks another point on another object where the same intensity of illumination is vibrat- ing . The painter has ...
Pagina 167
... body , although the within of the body is always a merely relative within . In this fashion we give a material expression - since we can give no other - to our sus- picion that ideas are in no place in space , which is pure exteriority ...
... body , although the within of the body is always a merely relative within . In this fashion we give a material expression - since we can give no other - to our sus- picion that ideas are in no place in space , which is pure exteriority ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth