The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 10
... the last century must be called realistic . Beethoven and Wagner were realistic , and so was Chateaubriand as well as Zola . Seen from the vantage - point of our day Romanticism and Naturalism draw closer to- gether and reveal 10.
... the last century must be called realistic . Beethoven and Wagner were realistic , and so was Chateaubriand as well as Zola . Seen from the vantage - point of our day Romanticism and Naturalism draw closer to- gether and reveal 10.
Pagina 23
... called " will to style . " But to stylize means to deform reality , to derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist ...
... called " will to style . " But to stylize means to deform reality , to derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist ...
Pagina 33
... called infrarealism . Both satisfy the urge to escape and elude reality . Instead of soaring to poetical heights , art may dive beneath the level marked by the natural perspective . How it is possible to overcome realism by merely ...
... called infrarealism . Both satisfy the urge to escape and elude reality . Instead of soaring to poetical heights , art may dive beneath the level marked by the natural perspective . How it is possible to overcome realism by merely ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth