The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 23
... called " will to style . " But to stylize means to deform reality , to derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist ...
... called " will to style . " But to stylize means to deform reality , to derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist ...
Pagina 33
... called infrarealism . Both satisfy the urge to escape and elude reality . Instead of soaring to poetical heights , art may dive beneath the level marked by the natural perspective . How it is possible to overcome realism by merely ...
... called infrarealism . Both satisfy the urge to escape and elude reality . Instead of soaring to poetical heights , art may dive beneath the level marked by the natural perspective . How it is possible to overcome realism by merely ...
Pagina 88
... called the impervious or hermetic character of the novel will be further elucidated by a comparison between the novel and the lyrical poem . We admire a poem when we see it rising miraculously from reality , as the artificial jet of a ...
... called the impervious or hermetic character of the novel will be further elucidated by a comparison between the novel and the lyrical poem . We admire a poem when we see it rising miraculously from reality , as the artificial jet of a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth