The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 10
In this sense all normal art of the last century must be called realistic . Beethoven
and Wagner were realistic , and so was Chateaubriand as well as Zola . Seen
from the vantage - point of our day Romanticism and Naturalism draw closer ...
In this sense all normal art of the last century must be called realistic . Beethoven
and Wagner were realistic , and so was Chateaubriand as well as Zola . Seen
from the vantage - point of our day Romanticism and Naturalism draw closer ...
Pagina 23
For this road is called “ will to style . ” But to stylize means to deform reality , to
derealize ; style involves dehumanization . And vice versa , there is no other
means of stylizing except by dehumanizing . Whereas realism , exhorting the
artist ...
For this road is called “ will to style . ” But to stylize means to deform reality , to
derealize ; style involves dehumanization . And vice versa , there is no other
means of stylizing except by dehumanizing . Whereas realism , exhorting the
artist ...
Pagina 33
Here we have the connecting link between two seemingly very different manners
of modern art , the surrealism of metaphors and what may be called infrarealism .
Both satisfy the urge to escape and elude reality . Instead of soaring to poetical ...
Here we have the connecting link between two seemingly very different manners
of modern art , the surrealism of metaphors and what may be called infrarealism .
Both satisfy the urge to escape and elude reality . Instead of soaring to poetical ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |