The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 10
In this sense all normal art of the last century must be called realistic . Beethoven and Wagner were realistic , and so was Chateaubriand as well as Zola . Seen from the vantage - point of our day Romanticism and Naturalism draw closer ...
In this sense all normal art of the last century must be called realistic . Beethoven and Wagner were realistic , and so was Chateaubriand as well as Zola . Seen from the vantage - point of our day Romanticism and Naturalism draw closer ...
Pagina 23
For this road is called " will to style . " But to stylize means to deform reality , to derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing .
For this road is called " will to style . " But to stylize means to deform reality , to derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing .
Pagina 33
Here we have the connecting link between two seemingly very different manners of modern art , the surrealism of metaphors and what may be called infrarealism . Both satisfy the urge to escape and elude reality .
Here we have the connecting link between two seemingly very different manners of modern art , the surrealism of metaphors and what may be called infrarealism . Both satisfy the urge to escape and elude reality .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth