The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 35
... canvas a schematic selection , arbitrarily decided on by his mind , from the innumerable traits that make a liv- ing person . What if the painter changed his mind and decided to paint not the real person but his own idea , his pattern ...
... canvas a schematic selection , arbitrarily decided on by his mind , from the innumerable traits that make a liv- ing person . What if the painter changed his mind and decided to paint not the real person but his own idea , his pattern ...
Pagina 106
... canvas of Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is , in a certain sense , the sum of many small pictures , each one independent and each painted from the proximate view . The painter ...
... canvas of Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is , in a certain sense , the sum of many small pictures , each one independent and each painted from the proximate view . The painter ...
Pagina 110
... canvas without having to dispossess the others . This magic object is light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things ...
... canvas without having to dispossess the others . This magic object is light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth